Language landscapes

Language landscapes

What if we read language as something else? Color, music, landscapes. What if the letterforms were something else entirely? Ingrid Fetell points to the reason we read so easily — our letterforms have evolved from natural forms (break mine):

Neuroscientist Marc Changizi writes in his book The Vision Revolution that the reason we read so easily is because our letterforms evolved to look like natural objects, (or more correctly, parts of objects) which our brains are primed to process quickly because they surrounded us in our ancestral environment. Reading a text is then very much like reading a landscape. 

Our letters look like they do because our brain is fast at processing edges and contours, which hold information about an object that could be urgently relevant to our survival, but slower at processing stimuli less urgently relevant to survival. (Is that a cliff edge or a gently sloping hillside? A tiger’s sabre tooth or a ripe apricot? The fastest way to know is shape.) Our letters are not colors because such a detailed level of color identification is not as urgent a mental task; the systems for “reading” color are just naturally slower, (though colors hold lots of intrinsic emotional significance…

[Image: One can read the color and shape of this piece just as well — better? — than one can listen to it.]